Category Archives: Miscellaneous

Trying to Reason When Lent is the Season

Years ago, I had the privilege of illustrating a modern dramatization of the Good Friday story. It was for a live event attended by thousands of youth at the San Antonio Alamodome. I was the video producer for the event.

The story needed a soundtrack, and I have always been slain by the old classic hymn,  “O Sacred Head Now Wounded.” It is most beautiful—and yet so grief-stricken at the same time. Despite my inclination to use it, I couldn’t find a recording that fit the vibe of such an event, largely attended by a crowd influenced by postmodernism and pop culture.

Palestinian Christian artwork depicting Christ's life.
Palestinian Christian artwork depicting Christ’s life. Photo ©Philip J. Hohle.

So, I called my friend Robby Robertson of Frankie Valli fame (Robby is Valli’s musical producer). I asked him to take my highly edited hymn lyrics and make (ahem). . .

. . . make a heavy metal version of the hymn.

If my memory serves, Robby got some members of Grand Funk Railroad to help him record it (don’t hold me to that). I think it turned out amazing.

Tonight, as I write this on the close of Good Friday, I still have that hymn version in my head. I wanted to share it with you.

O Sacred Head Now Wounded (Youth Gathering Arrangement). Note the heartbeat at the end.

Monk sitting in the Tomb of Jesus in the Church of the Holy Sepulcher in Jerusalem. Photo @Philip J. Hohle
Monk sitting in the Tomb of Jesus in the Church of the Holy Sepulcher in Jerusalem. Photo ©Philip J. Hohle

Ten key realizations about Good Friday:

  1. Jesus’ death was not accidental. He timed it perfectly to coincide with the Passover. Likely, his death on the cross in the 9th hour of Good Friday aligned with the original Mosaic determination of when the passover lambs were to be slain on Passover. (See Joachim Jeremias’ The Eucharistic Words of Jesus, 1966, London: SCM Press.)
  2. At that time, the thousands of passover lambs necessary for the Passover crowds were raised in Bethlehem. After the sacrifice of the One born in Bethlehem, lambs are no longer necessary.
  3. Recall the story of Abraham who was commanded by God to offer his only son, Isaac, as a sacrifice (Genesis 22). Tradition has it that Abraham’s place of sacrifice was on Mount Moriah, essentially on the same spot as we find the Temple Mount in Jerusalem. (Ironically, a Muslim mosque sits on it today, a religion that often asks fathers to sacrifice their sons for jihad and a place in heaven.)
  4. Isaac asked his father, “Where is the lamb for the sacrifice?” Isaac did not realize at that moment that he was the intended victim. As you know, God intervened at the very last moment and provided a substitute lamb (a ram). Ever since the first passover in Egypt, the Israelites have eaten the sacrificed lamb (or young goat) as prescribed by God.
  5. It is certainly no coincidence that, when Abraham reassured Isaac that God would provide the sacrifice, it was uttered at a spot only feet from where, hundreds of years later, Jesus was offered himself as the ultimate sacrificial lamb.
  6.  It is a profound reversal: Abraham, whose hand was stayed as he was about to sacrifice his only son, was then provided a ram caught in the thicket to take Isaac’s place.  Then later, Jesus himself, praying in the Garden of Gethsemane, felt the burden of becoming that very sacrifice—He was caught in his predestined thicket, crying out to his Father for a way out. I would like to believe that the very thicket where Abraham found the ram was where the Garden of Gethsemane is today. At least, it is plausible.
  7. Instead of allowing the sacrifice of Isaac, God stayed Abraham’s hand, and ultimately, substituted His one and only son as the replacement. The amazing thing is that the crucifixion took place in virtually the same location, just hundreds of years later, in the fullness of time.
  8. Tradition has it that the Lord’s Supper was held in an upper room in the Mount Zion neighborhood of old Jerusalem. Due to the typography of the city, anyone standing at a north or east-facing window in an upper room in that part of Jerusalem would have likely enjoyed an unobstructed view of Mount Moriah (aka,  the Temple Mount). I would like to believe Jesus looked out such a window on Maundy Thursday and recognized the exact spot where Abraham’s ram was caught in the thicket as well as the place where the ram was sacrificed.
  9. In light of the events on Mount Moriah centuries prior, one must consider the charge of John and Peter to prepare the Passover meal on the day before Jesus’ crucifixion. I would like to believe that the two were told by Jesus to forego bringing a sacrificed lamb to the upper room. Such a critical omission would have certainly sparked some discussion: “But Lord, where will we get the lamb for the passover?” Or, “We have everything prepared, but we have no lamb to eat.” I imagine Jesus responding quietly as he glances out the window toward the temple, “Don’t worry. God will provide the lamb.” And so, he did.
  10. We read, “Take and eat, this (bread) is my body. . . and this (wine) is my blood” (Mark 14, et al.).  Mosaic law was strict in its demand that God’s people should avoid contact with dead things (Leviticus 21, Numbers 6, et al.). The law was equally insistent that people not consume the blood of their kills and sacrifices—the blood was to be poured out on the altar (Leviticus 17, Deuteronomy 12, et al.). Those Mosaic laws were meant to keep one from defiling oneself by touching a corpse or from consuming the very lifeblood of another being. So in the upper room, imagine the horror of the relatively orthodox disciples at the Lord’s Supper who were asked by Jesus to “take and eat. . . . this is my body. . . and take and drink, this is my blood.” Yet, that is exactly what Jesus offered his disciples. Indeed, it was an unimaginable and revolutionary new covenant, and the world has never been the same since.

Philip J. Hohle, Ph.D.

Altar Over Mt. Calvary in the Church of the Holy Sepulcher in Jerusalem. Photo @Philip J. Hohle.
Altar Over Mt. Calvary in the Church of the Holy Sepulcher in Jerusalem. Photo ©Philip J. Hohle.

Clues for Caddo Lake

Clues to assist in solving the Mystery of Caddo Lake (spoilers):

  1. Three related characters all suffer from the same abnormality. Each may also travel forward and/or backward in time, coinciding with seizures or tremors and temporary deafness.
  2. Their capability is only triggered when the water in the lake is very low.
  3. The characters struggle to recognize the connection between their physical symptoms and time travel, much less control the ability or avoid it.
  4. The main characters’ actions seem to be occurring simultaneously but will be found to have happened days, years, or even decades apart. Some of these events even happen in the exact same place.
  5. Cee, Celeste, and Ellie’s mother are the same person (she does not travel in time).
  6. The dam on the lake provides clues to a linear interpretation of the story. It was built new in one era, modified with a road across it in a later time, and deteriorated to the point of failure almost two decades later.
  7. The sound of search helicopters overhead is only present in the latest era (2022).
  8. The daylight, or lack thereof, often changes as characters step from one era into another.
  9. The appearance of rare moths and wolves indicates the character has stumbled into a past era.

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Denise Patrick

Dr. Denise Patrick

Dr. Denise Patrick, a prominent figure with a career spanning over 30 years in the realms of business and academia, has made significant contributions across a wide spectrum of organizations. Her expertise has been sought after by New York City agencies, global and national nonprofits, small businesses, and Fortune 500 companies. She specializes in executive coaching, leadership development, and change management.

As a leadership consultant and coach, Dr. Patrick empowers individuals and organizations to unlock their potential and achieve transformative growth. She is passionate about helping leaders refine their communication and interpersonal skills to create meaningful connections. Dr. Patrick believes that “Communication is an art beyond words. It’s about connecting hearts, understanding emotions, and seeing the world through each other’s eyes. Let’s not just exchange information.”

As an award-winning educator, Dr. Patrick currently serves as an Assistant Professor of Instruction at the University of Texas at Austin’s Moody College of Communication, where she teaches in the Communication Studies and Communication & Leadership Program. Additionally, she is an Adjunct Assistant Professor in the Department of Communication Studies at Baruch College, City University of New York, where she has taught in the Executive MBA program at the Zicklin School of Business and the Executive MPA and MPA programs at the Marxe School of Public and International Affairs. Her academic influence has also extended to the University of New Mexico, Temple University, and the University of Pennsylvania’s Wharton School of Business.

Dr. Patrick holds a PhD in Business Management from Capella University, an MA in Rhetoric and Communication from Temple University, and a BA in Corporate Communication from the City University of New York, Baruch College. She is a distinguished member of five honor societies and has received numerous accolades for her excellence in teaching and leadership.

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Respondents

Respondent Biographies for Faith and Film at Film Alley

Current Series

 

Dr. Jacob Youmans has served as the Director of the DCE (Director of Christian Education) program at Concordia University Texas, since 2009. Prior to that, has served as a Youth and Family Minister in Hawaii and California. He has authored four books, including Talking Pictures, which demonstrates how one can use movies to teach the faith to teenagers. He also was a contributor to Movies From the Mountaintop, an anthology on faith and films that also featured insights from Rob Lowe and Mark Wahlberg.

Rev. Dr. David Kluth will be responding for the fifth consecutive season. Previously, he helped unpack Ferris Bueller’s Day Off, The Breakfast Club, Leap of Faith, and The Best Exotic Marigold Hotel. Dr. Kluth has a degree in Communication and has been a professor and administrator at several universities. Currently, he is known as a popular Bible class leader at Zion Lutheran. 

Inducted into the National Basketball Hall of Fame, Homer Drew is a legionary coach from Valparaiso University. Now retired, he enjoys watching his three children: Scott Drew, head Basketball Coach at Baylor University, Bryce Drew head basketball coach at Grand Canyon University, and Dana Drew Shaw, Vice President of GCU.

Ryan Pennington is the pastor of Fortress Lutheran Church in Harker Heights, TX and has served as a church worker for more than 15 years. A lifelong lover of music and movies, he enjoys helping people see how good storytelling points to our need for redemption – and the God who provided it. He lives in Killeen with his wife, Corrie, and their two kids.

The Faith and Film Series is led by Dr. Philip J. Hohle, who has a Bachelor of Science degree in Radio-Television-Film from The University of Texas at Austin, a Master of Arts in Speech Communication from Texas State University, and a Ph.D. from Regent University in Communication Studies. A member of the Society for the Cognitive Study of the Moving Image, he has presented how audiences interpret the movies they watch in the U.S., Finland, and Spain. He has also published two books and several articles on viewer response theory. Currently, he teaches at The University of Mary Hardin-Baylor and Southeastern University.

Faith and Film Spring 2026 Logo

Faith and Film at Film Alley (Informal Class for the Community)

Connect Faith and Film at Film Alley

The Faith and Film series continues in 2026 at Film Alley, formerly known as City Lights, 420 Wolf Ranch Parkway, Georgetown, TX.Faith and Film Spring 2026 Logo

The series is a chance to explore themes of faith in religion found in popular movies. Participants are equipped to connect the filmmaker’s projected moral in the story to their own perspectives on God and salvation, good and evil. These informal classes for the community equip Viewer-Critics to recognize and respond to the competing ideologies promoted within popular culture. 

Watch the short promotional video here.

The 2026 Spring series is scheduled on Sundays, 5:30 PM to 8:30 PM, February 1, March 1, April 12,^ and May 3. 

(^Sunday after Easter)

Continue reading Faith and Film at Film Alley (Informal Class for the Community)

FAQs About Faith and Film at Film Alley

Frequently Asked Questions

Faith and Film Spring 2026 Logo

Q: How is this an ESL class?

A: You may see a church from time to time offering a class in conversational English for immigrants—English as a second language—to help them become more fluent in English. Essentially, the Faith and Film classes are entertainment as a second language—helping improve the media literacy and fluency of anyone who watches movies. Zion Lutheran Church and School of Walburg has contracted with Parabolic Media to curate a series of classes for anyone interested in registering.

Q: Why not call it Christianity and Film?

A: While this series will undoubtedly be filtered through the lens of orthodox Christianity, alternative faiths and worldviews are the foundation of many good movies—even some that are labeled as Christian movies. In fact, virtually all movies promote the filmmaker’s values and beliefs.

Q: Why should I improve my media literacy?

A: Dr. Robert Johnson (Professor of Theology and Culture at Fuller Seminary) has stated that the cinema’s storytellers have become the new priests of our culture. If this is the new reality, if great movies inspire (or disturb) people in profound ways, the movie theater must be recognized as competing with the church. “Consciously or unconsciously, all filmmakers have an ethical purpose in their work. All movies have a moral. In both obvious and subtle ways, filmmakers infuse their worldview into the story. If you think about it, the movie is the filmmaker’s prayer” (quoted from the series’ curriculum, The Filmmaker’s Prayer).

Q: What if I am not a Christian?

A: Our primary aim is to uncover and compare the beliefs promoted in the movie to a mainstream Christian worldview. Admittedly, our discussion leaders will likely interpret the film through a lens compatible with a relatively conservative Lutheran theology. However, people of all faiths and religions are invited and encouraged to share their insights. There will be no judgment.

Q: Where and when will the classes be held? 

A: Responding to this need in our community, Parabolic Media has made arrangements with Film Alley on Wolf Ranch Parkway in Georgetown to use the theater as a suitable classroom. This approach enables participants to examine films in their most natural and powerful state. Unlike a movie you merely watch for entertainment, we include a discussion – a careful examination and reflection after the screening that will help us all interpret the shared experience. 

The spring 2026 classes are scheduled for Sunday evenings, Feb. 1, March 1, April 12 (the week after Easter), and May 3, starting at 5:30 p.m. and ending sometime around 8:30 p.m., depending on the length of the film.

Q: What movies will you examine?

A: Movies are carefully selected for this course. Participants will receive a study guide for each film to guide them through both the obvious and subtle religious themes and faith expressions that can be recognized in the movie. Check back soon for study guides for the films selected for spring 2025. (For legal reasons, the film titles cannot be posted for the public.)

Q: Will you examine R-rated films?

A: Our approach is not to ask if we should show films like these but to ask if these more difficult scenes and themes somehow make the film exempt from critical examination. We find that many R-rated films need close scholarly, theological, and philosophical analysis. However, if you usually avoid such films, you can simply skip the class that session. Or, like the scientist, don your (metaphoric) goggles, gloves, and a lab coat when examining such artifacts.

Q: How does the informal class differ from a traditional college class?

A: Like a college class, a curriculum is provided to assist in learning. Far beyond a simple appreciation for a film’s aesthetics, participants will fully examine their personal and societal responses to the worldviews promoted in popular movies. Learners will be equipped and inspired to identify, interpret, and respond to these cultural artifacts.

Q: Will I have homework if I attend the informal class?

A: No. We only suggest that you become at least marginally familiar with the curriculum material made available (a digital copy of a book). In our discussion, you can add your voice to the mix or just quietly enjoy the conversation.

Q: Do I get academic credit?

A: The class is for your own edification. However, those who attend all eight classes planned for 2025 will be eligible to receive a certificate of completion upon request.

Q: What is the cost of the course?

A: We do not sell tickets as an entertainment venue would, but there is a modest registration fee for the class. 

– Spring Series, Single Participant (up to four nights): $20

– Spring Series, Group—up to Four People (up to four nights): $30

The fee structure is set up to encourage attendance at the entire series and to bring family, friends, and neighbors. We also encourage patrons to consider a modest gift to help sustain and grow the series.

REGISTRATION WILL BE AVAILABLE IN EARLY JANUARY 2026

Q: May I bring someone with me?

A: We highly encourage everyone to invite other learners to spread media literacy in our community. Consider inviting friends from Bible study/ home groups, friends from work, or family members. Again, all attendees must RSVP so we can make sure seats are available. All participants are offered a digital copy of the curriculum. (The RSVP link will be available after January 18.)

Q: Who and what are Movie Missionaries?

A: Our goal is to make literate viewer-critics who can put the story in proper perspective and help others do the same. The class is necessary because most viewers can only unconsciously process the messages filmmakers embed in their stories. We are recruiting people who have a passion for helping their friends, family members, and neighbors grow in their literacy. Even like active Christians from time to time, the de-churched and unchurched may also struggle to find their purpose in life. For many of us, bringing our guests to the theater will be easier than persuading them to attend church on Sunday. Literally, these movie missionaries will be taking the Gospel to the public square. 

Q: What or who is Parabolic Media?

A: Philip J. Hohle, Ph.D., of Parabolic Media is a trained scholar in the study of how people interpret movies. He has published and presented on this topic through the International Society for the Cognitive Studies of the Moving Image (SCSMI). He has also taught film interpretation and media law at the university level. With the help of other scholars in the area, he hosted the series Cinema and Religion at the Moviehouse & Eatery in Austin for nine years until 2020, and has continued in Georgetown since 2024. His book, The Filmmaker’s Prayer, was written to serve as the curriculum for this series.

Q: What if the weather is bad? What if no seats are left?

A: Parabolic Media will send announcements to the email address you used in your RSVP if the event is canceled due to weather (or any other reason). If the RSVP form shows no more seats available, email philip@parabolicmedia.com.